Why does wilson do chapter 8

It's unclear. Nick now tells us what happened at the garage after he, Tom, and Jordan drove away the day before. Since he wasn't there, he's most likely recapping Michaelis's inquest statement. Then she fainted and had to be taken away.

Michaelis sat with Wilson until dawn, listening to Wilson talk about the yellow car that had run Myrtle over, and how to find it. Michaelis suggested that Wilson talk to a priest, but Wilson showed Michaelis an expensive dog leash that he found. To him, this was incontrovertible proof of her affair and the fact that her lover killed Myrtle on purpose. Wilson said that Myrtle was trying to run out to talk to the man in the car, while Michaelis believed that she had been trying to flee the house where Wilson had locked her up.

Wilson had told Myrtle that God could see everything she was doing. The eyes of Doctor T. Eckleburg on the billboard near the garage. Wilson seemed calm, so Michaelis went home to sleep. By the time he came back to the garage, Wilson was gone. Wilson walked all the way to West Egg, asking about the yellow car. That afternoon, Gatsby gets in his pool for the first time that summer. He is still waiting for a call from Daisy. Nick tries to imagine what it must have been like to be Gatsby and know that your dream was lost.

Wilson has shot Gatsby and then himself. So the moral of the story is, if you have a nice pool, try to use it more often. She was the first "nice" girl he had ever known. In various unrevealed capacities he had come in contact with such people but always with indiscernible barbed wire between. He found her excitingly desirable. He went to her house, at first with other officers from Camp Taylor, then alone.

It amazed him--he had never been in such a beautiful house before. But what gave it an air of breathless intensity was that Daisy lived there--it was as casual a thing to her as his tent out at camp was to him. There was a ripe mystery about it, a hint of bedrooms upstairs more beautiful and cool than other bedrooms, of gay and radiant activities taking place through its corridors and of romances that were not musty and laid away already in lavender but fresh and breathing and redolent of this year's shining motor cars and of dances whose flowers were scarcely withered.

It excited him too that many men had already loved Daisy--it increased her value in his eyes. He felt their presence all about the house, pervading the air with the shades and echoes of still vibrant emotions. In other words, from the very beginning what Gatsby most values about Daisy is that she belongs to that set of society that he is desperately trying to get into: the wealthy, upper echelon.

For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes.

All night the saxophones wailed the hopeless comment of the "Beale Street Blues" while a hundred pairs of golden and silver slippers shuffled the shining dust.

At the grey tea hour there were always rooms that throbbed incessantly with this low sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor. Through this twilight universe Daisy began to move again with the season; suddenly she was again keeping half a dozen dates a day with half a dozen men and drowsing asleep at dawn with the beads and chiffon of an evening dress tangled among dying orchids on the floor beside her bed.

And all the time something within her was crying for a decision. She wanted her life shaped now, immediately - and the decision must be made by some force - of love, of money, of unquestionable practicality - that was close at hand. After all, there are orchids and orchestras and golden shoes. But already, even for the young people of high society , death and decay loom large.

In the midst of this stagnation, Daisy longs for stability, financial security, and routine. Tom offered that then, and he continues to offer it now. Tom tells him that Gatsby was the driver.

Wilson drives to Gatsby's mansion; there, he finds Gatsby floating in his pool, staring contemplatively at the sky. Wilson shoots Gatsby, and then turns the gun on himself. It is Nick who finds Gatsby's body. He reflects that Gatsby died utterly disillusioned, having lost, in rapid succession, his lover and his dreams. Nick gives the novel's final appraisal of Gatsby when he asserts that Gatsby is "worth the whole damn bunch of them.

Though he disapproved of Gatsby "from beginning to end," Nick is still able to recognize him as a visionary, a man capable of grand passion and great dreams. He represents an ideal that had grown exceedingly rare in the s, which Nick along with Fitzgerald regards as an age of cynicism, decadence, and cruelty. Nick, in his reflections on Gatsby's life, suggests that Gatsby's great mistake was loving Daisy. He chose an inferior object upon which to focus his almost mystical capacity for dreaming.

Just as the American Dream itself has degenerated into the crass pursuit of material wealth, Gatsby, too, strived only for wealth once he had fallen in love with Daisy, whose trivial, limited imagination could conceive of nothing greater. It is significant that Gatsby is not murdered for his criminal connections, but rather for his unswerving devotion to Daisy. As Nick writes, Gatsby thus "[pays] a high price for living too long with a single dream.

Up to the moment of his death, Gatsby cannot accept that his dream is over: he continues to insist that Daisy may still come to him, though it is clear to everyone, including the reader, that she is bound indissolubly to Tom.

Gatsby's death thus seems almost inevitable, given that a dreamer cannot exist without his dreams; through Daisy's betrayal, he effectively loses his reason for living. Wilson seems to be Gatsby's grim double in Chapter VIII, and represents the more menacing aspects of a capacity for visionary dreaming. Throughout this chapter, the narrative implicitly establishes a connection between the weather and the emotional atmosphere of the story.

Just as the geographical settings of the book correspond to particular characters and themes, the weather corresponds to the plot. In the same way that he clings to the hope of making Daisy love him the way she used to, he insists on swimming in the pool as though it were still summer. Both his downfall in Chapter 7 and his death in Chapter 8 result from his stark refusal to accept what he cannot control: the passage of time.

Gatsby has made Daisy a symbol of everything he values, and made the green light on her dock a symbol of his destiny with her. Had Gatsby not imbued her with such value, Daisy would be simply an idle, bored, rich young woman with no particular moral strength or loyalty. Likewise, though they suggest divine scrutiny both to the reader and to Wilson, the eyes of Doctor T.

Eckleburg are disturbing in part because they are not the eyes of God. They have no precise, fixed meaning. George Wilson takes Doctor T.

The eyes of Doctor T. Eckleburg can mean anything a character or reader wants them to, but they look down on a world devoid of meaning, value, and beauty—a world in which dreams are exposed as illusions, and cruel, unfeeling men such as Tom receive the love of women longed for by dreamers such as Gatsby and Wilson. Ace your assignments with our guide to The Great Gatsby!

Jekyll and Mr. SparkTeach Teacher's Handbook. Previous Next. Chapter 8. Gatsby waits all night but nothing happens. Good call, Nick. The next morning, Nick warns Gatsby that he should go away for a while. Gatsby can't imagine leaving Daisy at this moment, so he stays. Nick tells us that this was the first moment he learned of Gatsby's history — the history he revealed to us back in Chapter Six.

But we get a few more details, courtesy of the Nick grapevine: Daisy was the first "nice" girl Gatsby had ever known or met. His initial plan was to get some backseat action, but then he accidentally fell in love. It happens. There's a great discussion of class and wealth here. Gatsby felt uncomfortable in Daisy's house — she was simply from a finer world than he.