Black swan how long is the movie

Continue reading. Report this review. Adult Written by Alex Daulton November 8, Too much for young and probably adults too Very uncomfortable movie to watch.

I wish I never saw it. Sexual content is nothing children under 17 should see. The movie makes you feel disgusting when it Teen, 16 years old Written by teenagerreviewer March 3, Teen, 16 years old Written by ia3 August 14, Amazing movie yet extremely intense Not for the lighthearted. Quite disturbing but should be good for older teens.

Deals with heavy topics such as many forms of abuse and mental health. What's the story? Is it any good? Talk to your kids about Our editors recommend. The Red Shoes. Bittersweet but enthralling ballet drama. Ballet Shoes. Sisters learn value of love, work, and sacrifice. Center Stage. Melodramatic, a bit racy -- some teens will love. For kids who love dancing and drama. Dance Movies.

Drama Movies That Tug at the Heartstrings. About these links Common Sense Media, a nonprofit organization, earns a small affiliate fee from Amazon or iTunes when you use our links to make a purchase. Read more. Facebook Twitter Pinterest Email Print. Personalize your media recommendations. How old is your kid? An intelligently written, directed and brilliantly acted film.

MartinHafer Mar 12, FAQ What is 'Black Swan' about? Is 'Black Swan' based on a book? What is the story behind the "Swan Lake" ballet? Details Edit. Release date December 17, United States.

United States. Official Facebook Official site. English French Italian. Box office Edit. Technical specs Edit. Runtime 1 hour 48 minutes. Related news. Nov 1 FilmExperience. Oct 29 FilmExperience. Contribute to this page Suggest an edit or add missing content.

Top Gap. What is the streaming release date of Black Swan in Canada? See more gaps Learn more about contributing. Edit page. See the full list. The Rise of Will Smith. Portman also suggested to Aronofsky that her good friend Mila Kunis would be perfect for the role.

Kunis contrasted Lily with Nina, saying: " My character is very loose She's not as technically good as Natalie's character, but she has more passion, naturally. That's what [Nina] lacks. The female characters are directed in the Swan Lake production by Thomas Leroy played by Cassel and compared his character to George Balanchine, who co-founded New York City Ballet and was " a control freak, a true artist using sexuality to direct his dancers ".

Portman and Kunis began training six months before the start of filming in order to attain a body type and muscle tone more similar to those of professional dancers.

A few months closer to filming, she began choreography training. Meanwhile, Kunis engaged in cardio and Pilates, " train[ing] seven days a week, five hours, for five, six months total, and Kunis said, " I did ballet as a kid like every other kid does ballet. You wear a tutu and you stand on stage and you look cute and twirl. But this is very different because you can't fake it. You can't just stay in there and like pretend you know what you're doing. Your whole body has to be structured differently.

Dancer Kimberly Prosa also served as a double for Portman and stated: " Natalie took class, she studied for several months, from the waist up is her. In addition to the soloist performances, members of the Pennsylvania Ballet were cast as the corps de ballet, backdrop for the main actors' performances.

Aronofsky and Portman first discussed a ballet film in after the release of Requiem for a Dream even though the script had not yet been written. He told her about a love scene between competing ballet dancers and Portman recalled, " I thought that was very interesting because this movie is in so many ways an exploration of an artist's ego and that narcissistic sort of attraction to yourself and also repulsion with yourself.

On the decade's wait before production, she said, " The fact that I had spent so much time with the idea The screenplay The Understudy was written by Andres Heinz; Aronofsky first heard about it while editing his second film Requiem for a Dream and described it as " All About Eve with a double, set in the off-Broadway world. When Aronofsky proposed a detailed outline of Black Swan to Universal Pictures, the studio decided to fast-track development of the project in January According to Aronofsky, The project "sort of died, again" until after the making of "The Wrestler" when he had Mark Heyman the director of development of Aronofsky's production company Protozoa Pictures write for the movie " and made it something that was workable.

By June , Universal had placed the project in turnaround, generating attention from other studios and specialty divisions, particularly with actress Portman attached to star. Black Swan began development under Protozoa Pictures and Overnight Productions, the latter financing the film. In July , Kunis was cast in the film. The principal photography was achieved using Super 16 mm cameras and began in New York City toward the end of Aronofsky filmed the movie with a muted palette and a grainy style, which he intended to be similar to The Wrestler.

Also, for The Wrestler it was a money-saving thing. The film stocks on 35mm would become so glossy that they'd get close to what people are doing on video.

Like with wrestling, ballet is shot in wide shot with two shots on the side, and no one really brought the camera—well, wrestling—into the ring or for us, onto the stage and into the practice room. I couldn't think of another example where they did that. I was concerned if that would effect [sic] the suspense, but after a while I said, "screw it, let's go for it.

Amy Westcott is credited as the costume designer for the movie and received several award nominations. She is all Nina is not: bold, loose, confident. She fascinates Nina, not only as a rival but even as a role model. Lily is, among other things, a clearly sexual being, and we suspect Nina may never have been on a date, let alone slept with a man. For her, Lily presents a professional challenge and a personal rebuke.

Thomas, the beast, is well known for having affairs with his dancers. Played with intimidating arrogance by Cassel, he clearly has plans for the virginal Nina. This creates a crisis in her mind: How can she free herself from the technical perfection and sexual repression enforced by her mother, while remaining loyal to their incestuous psychological relationship?

No backstage ballet story can be seen without " The Red Shoes " coming into mind. If you've never seen it of course eventually you will. In the character of Thomas, Aronofsky and Cassel evoke Boris Lermontov Anton Walbrook , the impresario in that film, whose autocratic manner masks a deep possessiveness. And in Nina, there is a version of Moira Shearer's ingenue, so driven to please.

I was reminded also of Aronofsky's brilliant debut with " Pi " , about a man driven mad by his quest for the universal mathematical language. For that matter, his " The Fountain " was about a man who seems to conquer time and space.

Aronofsky's characters make no little plans. Aronofsky drifts eerily from those reliable guidelines into the mind of Nina.