How does prospero test ferdinand

Hear my soul speak: The very instant that I saw you did My heart fly to your service, there resides, To make me salve to it, and for your sake Am I this patient log-man. Ferdinand O heaven, O earth, bear witness to this sound, And crown what I profess with kind event If I speak true; If hollowly, invert What best is boded me to mischief!

Answer : Miranda expresses her love for Ferdinand in a simple and straightforward manner. She says that she has never seen faces other than her fathers. She has no desire for any other companion than Ferdinand. She cannot see any other person whom she can like. Answer : Ferdinand discloses to Miranda that he is a prince and possibly now a king. He has the fear in his mind that his father Alonso may have drowned in the stormy sea. He wishes that his father were alive. Answer : When Miranda learns that Ferdinand is a prince or may be a king, she is not very much affected by the revelation.

Her only concern is with his love for her. So she asks him plainly if he loves her. Answer : Ferdinand makes heaven and earth as witness to his love. He says that if his love for Miranda is true, his love should be rewarded with favourable results, and if not, the best of fortune in store for him be turned to evil. Answer : Ferdinand is a gallant and pleasant young man. He is full of noble instincts and clean ideals. He emerges as the hero of a simple love affair. Like Miranda, he is innocent and simple hearted.

He is not a Hamlet or Macbeth. Miranda At mine unworthiness that dare not offer What I desire to give, and much less take What I shall die to want. But his is trifling, And all the more it seeks to hide itself.

The bigger bulk it shows. Hence, bashful cunning, And prompt me, plain and holy innocence! Answer : Ferdinand has disclosed his true identity to Miranda. He tells her that he is a prince and if his father is not alive though he wishes he should , he is also a king.

He adds that he would no more endure this task of carrying logs than he would allow garbage flies to settle on his mouth. Answer : Miranda realizes that she is perhaps not worthy of being the wife of a prince or a king.

Unlike Caliban, however, Ferdinand has no desire to curse. Instead, he enjoys his labors because they serve the woman he loves, Miranda. As Ferdinand works and thinks of Miranda, she enters, and after her, unseen by either lover, Prospero enters. Miranda tells Ferdinand to take a break from his work, or to let her work for him, thinking that her father is away.

Ferdinand refuses to let her work for him but does rest from his work and asks Miranda her name. Ferdinand goes on to flatter his beloved. Ferdinand assures Miranda that he is a prince and probably a king now, though he prays his father is not dead. Ferdinand replies enthusiastically that he does, and his response emboldens Miranda to propose marriage. Ferdinand accepts and the two leave each other.

Prospero comes forth, subdued in his happiness, for he has known that this would happen. This man, he tells her, is a mere Caliban compared to other men. Prospero leads the charmed and helpless Ferdinand to his imprisonment. Secretly, he thanks the invisible Ariel for his help, sends him on another mysterious errand, and promises to free him soon.

Unlike Ariel and Miranda, however, Caliban attempts to use language as a weapon against Prospero just as Prospero uses it against Caliban. He insists that the island is his but that Prospero took it from him by flattering Caliban into teaching him about the island and then betraying and enslaving him.

We sense that there is more at stake here than a mere shouting-match between Prospero and Caliban. Prospero seems to think that his own sense of justice and goodness is so well-honed and accurate that, if any other character disagrees with him, that character is wrong simply by virtue of the disagreement.

He also seems to think that his objective in restoring his political power is so important that it justifies any means he chooses to use—hence his lying, his manipulations, his cursing, and the violence of his magic. Perhaps the most troubling part of all this is that Shakespeare gives us little reason to believe he disagrees with Prospero: for better or worse, Prospero is the hero of the play.

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